Untitled
cavetocanvas:

Clarence John Laughlin, Elegy for Mors Land, 1951

Ghost house

cavetocanvas:

Clarence John Laughlin, Elegy for Mors Land, 1951

Ghost house

cavetocanvas:

Clarence John Laughlin, A Vision of Dead Desire, 1954

I like this piece seems like angel has come to take him home

cavetocanvas:

Clarence John Laughlin, A Vision of Dead Desire, 1954

I like this piece seems like angel has come to take him home

cavetocanvas:

Clarence John Laughlin, A “Lost” Boy, No. 1, 1955

Looks like slums of Puerto Rico

cavetocanvas:

Clarence John Laughlin, A “Lost” Boy, No. 1, 1955

Looks like slums of Puerto Rico

cavetocanvas:

Clarence John Laughlin, The Architecture of Light, 1957

I wonder if light was suppose to hit it somewhere

cavetocanvas:

Clarence John Laughlin, The Architecture of Light, 1957

I wonder if light was suppose to hit it somewhere

cavetocanvas:

Clarence John Laughlin, A Victorian Delicacy, No. 1, 1961

That reminds me of little house on the prairie

cavetocanvas:

Clarence John Laughlin, A Victorian Delicacy, No. 1, 1961

That reminds me of little house on the prairie

cavetocanvas:

Edmund Dulac, illustrations for The Poems of Edgar Allan Poe

This is weird it’s like what makes her a women is what causes her pain weird

cavetocanvas:

Edmund Dulac, illustrations for The Poems of Edgar Allan Poe

Wondering if it’s songs or screams

cavetocanvas:

Edmund Dulac, illustration from The Rubaiyat

Hmm egyptian princess?

cavetocanvas:

Edmund Dulac, illustration from The Rubaiyat

Hmm egyptian princess?

cavetocanvas:

Edmund Dulac, illustration from The Rubaiyat

Hmm wondering what he just brought through the city

cavetocanvas:

Edmund Dulac, illustration from The Rubaiyat

Hmm wondering what he just brought through the city

cavetocanvas:

Edmund Dulac, Firebird

Hmm is he bringing good or bad dreams

cavetocanvas:

Edmund Dulac, Firebird

Hmm is he bringing good or bad dreams